
Teaching Responsible Earth Education
"Creating a 30th Anniversary Logo that Ties into Existing Brand Identity with an Updated Look"
1 month
Shipped
Pro-Bono Branding
Course takeaways:
Visual Communication and Advocacy taught me more than just how to make compelling graphics. It showed me how to use design as a tool for change. I learned how to communicate complex issues, ethically and emotionally, with a strong focus on empathy and storytelling. Through real-world projects, I saw how thoughtful design can amplify underrepresented voices and inspire action in ways that words alone cannot. I gained valuable skills in research, typography, layout, and brand systems, but more importantly, I learned how to design with purpose and responsibility. The class challenged me to consider the impact of every design decision and pushed me to think critically about how visual language influences perception. It also allowed me to incorporate my passions and beliefs into the work, which made the experience even more meaningful. This class changed how I approach design and its role in the world.
What does advocacy mean to me?
To me, advocacy as a designer means using creativity and communication to stand up for people, causes, and communities that deserve to be seen, heard, and supported. It is about more than just making something look good. It is about designing with empathy, intention, and impact. Advocacy design requires listening deeply, understanding different perspectives, and translating those insights into visual systems that inform, empower, and inspire change.
I believe designers have a responsibility to be thoughtful storytellers and bridge-builders. Our work shapes how people understand issues, relate to one another, and take action. Whether it is highlighting environmental education, advancing social justice, or amplifying local voices, I strive to use my skills to support organizations and missions I believe in.
As someone passionate about both aesthetics and ethics, advocacy allows me to combine beauty with meaning. It is incredibly fulfilling to create work that not only functions well and looks strong but also helps people feel seen, connected, and motivated. Advocacy gives design a deeper purpose. It reminds me that design is not just about solving problems. It is about helping build a more equitable, curious, and compassionate world.
What is the Organization?
Teaching Responsible Earth Education (T.R.E.E.) is a nonprofit organization that motivates, educates, and inspires both children and adults to build a meaningful relationship with the natural world. Through hands-on, immersive experiences in local ecosystems, T.R.E.E. teaches life science and ecological principles in a way that fosters observation, curiosity, and a deep sense of belonging. Rather than focusing solely on environmental problems, the organization helps participants feel comfortable first, laying the foundation for future understanding and stewardship. With a mission rooted in the values of motivate, educate, appreciate, and inspire, T.R.E.E. encourages a shift in perspective about oneself, others, and our place on the planet.
In rebranding T.R.E.E., I interpreted the organization as one that needs a friendly, organic, familiar, and hand-drawn identity—one that reflects the warmth and wonder of its mission. T.R.E.E. approached us as they prepared to celebrate their 30th anniversary with a major fundraiser event, and they needed our help designing a special anniversary logo, updated graphics, a refreshed website, and cohesive marketing materials. The new brand direction is guided by themes of cycles, solitude, and quiet inspiration, with visual motifs like fireflies to evoke connection and renewal. Our goal was to create a visual system that is accessible, immersive, and emotionally resonant, inviting people of all ages to celebrate nature and support T.R.E.E.’s mission for the next 30 years and beyond.

When beginning to iterate this logo, I started by drawing inspiration from the original main logo as well as the brand comms I had collected from my discussion with the T.R.E.E. director. I kept the earthy brown and green tones, and the font of the headline. I knew I wanted to use the rings of a tree as my graphic, since this logo was about age, and little tree cookies are a token souvenir from the T.R.E.E. experience that anyone who has participated has a special attachment to. I also knew I wanted my logo to be hand-drawn, to add an element of comfort, familiarity, and child-friendliness.

When iterating the T.R.E.E. logo, I played with a variety of different strokes, profile lines, and techniques to master the look of the tree rings themselves. Then I tried many different formats to incorporate the name of the organization and the 30th anniversary. This process of iteration helped push me to think outside of the box and use my technical skillset in new, unique ways.

After showing my first iterations to the T.R.E.E. team, they were immediately drawn to the bottom right logo. They left some constructive feedback below, which i made sure to incorporate in my final logo.
-Filled in 30 text is preferred
-Make sure it can’t be accidentally read as “3D”
-Prefer T.R.E.E. font underneath
-Adjust sizing/spacing
-Include “Celebrating 30 years of Outdoor Classrooms" as tagline
-"With Olivia's tree rings logo, it would be awesome to have a version that says "Teaching
Responsible Earth Education" arched over the top, and "Celebrating 30 years of Outdoor
Classrooms" arched under the bottom"

After incorporating their feedback, I created these final two logos. This project taught me the importance of pro-bono projects as a designer and how to create a new logo within existing design boundaries. I look forward to working with T.R.E.E. again in the future.
Question about my work?
Olivia Bruhmuller
Oliviabruhmuller@gmail.com

Teaching Responsible Earth Education
"Creating a 30th Anniversary Logo that Ties into Existing Brand Identity with an Updated Look"
1 month
Shipped
Pro-Bono Branding
Course takeaways:
Visual Communication and Advocacy taught me more than just how to make compelling graphics. It showed me how to use design as a tool for change. I learned how to communicate complex issues, ethically and emotionally, with a strong focus on empathy and storytelling. Through real-world projects, I saw how thoughtful design can amplify underrepresented voices and inspire action in ways that words alone cannot. I gained valuable skills in research, typography, layout, and brand systems, but more importantly, I learned how to design with purpose and responsibility. The class challenged me to consider the impact of every design decision and pushed me to think critically about how visual language influences perception. It also allowed me to incorporate my passions and beliefs into the work, which made the experience even more meaningful. This class changed how I approach design and its role in the world.
What does advocacy mean to me?
To me, advocacy as a designer means using creativity and communication to stand up for people, causes, and communities that deserve to be seen, heard, and supported. It is about more than just making something look good. It is about designing with empathy, intention, and impact. Advocacy design requires listening deeply, understanding different perspectives, and translating those insights into visual systems that inform, empower, and inspire change.
I believe designers have a responsibility to be thoughtful storytellers and bridge-builders. Our work shapes how people understand issues, relate to one another, and take action. Whether it is highlighting environmental education, advancing social justice, or amplifying local voices, I strive to use my skills to support organizations and missions I believe in.
As someone passionate about both aesthetics and ethics, advocacy allows me to combine beauty with meaning. It is incredibly fulfilling to create work that not only functions well and looks strong but also helps people feel seen, connected, and motivated. Advocacy gives design a deeper purpose. It reminds me that design is not just about solving problems. It is about helping build a more equitable, curious, and compassionate world.
What is the Organization?
Teaching Responsible Earth Education (T.R.E.E.) is a nonprofit organization that motivates, educates, and inspires both children and adults to build a meaningful relationship with the natural world. Through hands-on, immersive experiences in local ecosystems, T.R.E.E. teaches life science and ecological principles in a way that fosters observation, curiosity, and a deep sense of belonging. Rather than focusing solely on environmental problems, the organization helps participants feel comfortable first, laying the foundation for future understanding and stewardship. With a mission rooted in the values of motivate, educate, appreciate, and inspire, T.R.E.E. encourages a shift in perspective about oneself, others, and our place on the planet.
In rebranding T.R.E.E., I interpreted the organization as one that needs a friendly, organic, familiar, and hand-drawn identity—one that reflects the warmth and wonder of its mission. T.R.E.E. approached us as they prepared to celebrate their 30th anniversary with a major fundraiser event, and they needed our help designing a special anniversary logo, updated graphics, a refreshed website, and cohesive marketing materials. The new brand direction is guided by themes of cycles, solitude, and quiet inspiration, with visual motifs like fireflies to evoke connection and renewal. Our goal was to create a visual system that is accessible, immersive, and emotionally resonant, inviting people of all ages to celebrate nature and support T.R.E.E.’s mission for the next 30 years and beyond.

When beginning to iterate this logo, I started by drawing inspiration from the original main logo as well as the brand comms I had collected from my discussion with the T.R.E.E. director. I kept the earthy brown and green tones, and the font of the headline. I knew I wanted to use the rings of a tree as my graphic, since this logo was about age, and little tree cookies are a token souvenir from the T.R.E.E. experience that anyone who has participated has a special attachment to. I also knew I wanted my logo to be hand-drawn, to add an element of comfort, familiarity, and child-friendliness.

When iterating the T.R.E.E. logo, I played with a variety of different strokes, profile lines, and techniques to master the look of the tree rings themselves. Then I tried many different formats to incorporate the name of the organization and the 30th anniversary. This process of iteration helped push me to think outside of the box and use my technical skillset in new, unique ways.

After showing my first iterations to the T.R.E.E. team, they were immediately drawn to the bottom right logo. They left some constructive feedback below, which i made sure to incorporate in my final logo.
-Filled in 30 text is preferred
-Make sure it can’t be accidentally read as “3D”
-Prefer T.R.E.E. font underneath
-Adjust sizing/spacing
-Include “Celebrating 30 years of Outdoor Classrooms" as tagline
-"With Olivia's tree rings logo, it would be awesome to have a version that says "Teaching
Responsible Earth Education" arched over the top, and "Celebrating 30 years of Outdoor
Classrooms" arched under the bottom"

After incorporating their feedback, I created these final two logos. This project taught me the importance of pro-bono projects as a designer and how to create a new logo within existing design boundaries. I look forward to working with T.R.E.E. again in the future.
Question about my work?
Olivia Bruhmuller
Oliviabruhmuller@gmail.com

Teaching Responsible Earth Education
"Creating a 30th Anniversary Logo that Ties into Existing Brand Identity with an Updated Look"
1 month
Shipped
Pro-Bono Branding
Course takeaways:
Visual Communication and Advocacy taught me more than just how to make compelling graphics. It showed me how to use design as a tool for change. I learned how to communicate complex issues, ethically and emotionally, with a strong focus on empathy and storytelling. Through real-world projects, I saw how thoughtful design can amplify underrepresented voices and inspire action in ways that words alone cannot. I gained valuable skills in research, typography, layout, and brand systems, but more importantly, I learned how to design with purpose and responsibility. The class challenged me to consider the impact of every design decision and pushed me to think critically about how visual language influences perception. It also allowed me to incorporate my passions and beliefs into the work, which made the experience even more meaningful. This class changed how I approach design and its role in the world.
What does advocacy mean to me?
To me, advocacy as a designer means using creativity and communication to stand up for people, causes, and communities that deserve to be seen, heard, and supported. It is about more than just making something look good. It is about designing with empathy, intention, and impact. Advocacy design requires listening deeply, understanding different perspectives, and translating those insights into visual systems that inform, empower, and inspire change.
I believe designers have a responsibility to be thoughtful storytellers and bridge-builders. Our work shapes how people understand issues, relate to one another, and take action. Whether it is highlighting environmental education, advancing social justice, or amplifying local voices, I strive to use my skills to support organizations and missions I believe in.
As someone passionate about both aesthetics and ethics, advocacy allows me to combine beauty with meaning. It is incredibly fulfilling to create work that not only functions well and looks strong but also helps people feel seen, connected, and motivated. Advocacy gives design a deeper purpose. It reminds me that design is not just about solving problems. It is about helping build a more equitable, curious, and compassionate world.
What is the Organization?
Teaching Responsible Earth Education (T.R.E.E.) is a nonprofit organization that motivates, educates, and inspires both children and adults to build a meaningful relationship with the natural world. Through hands-on, immersive experiences in local ecosystems, T.R.E.E. teaches life science and ecological principles in a way that fosters observation, curiosity, and a deep sense of belonging. Rather than focusing solely on environmental problems, the organization helps participants feel comfortable first, laying the foundation for future understanding and stewardship. With a mission rooted in the values of motivate, educate, appreciate, and inspire, T.R.E.E. encourages a shift in perspective about oneself, others, and our place on the planet.
In rebranding T.R.E.E., I interpreted the organization as one that needs a friendly, organic, familiar, and hand-drawn identity—one that reflects the warmth and wonder of its mission. T.R.E.E. approached us as they prepared to celebrate their 30th anniversary with a major fundraiser event, and they needed our help designing a special anniversary logo, updated graphics, a refreshed website, and cohesive marketing materials. The new brand direction is guided by themes of cycles, solitude, and quiet inspiration, with visual motifs like fireflies to evoke connection and renewal. Our goal was to create a visual system that is accessible, immersive, and emotionally resonant, inviting people of all ages to celebrate nature and support T.R.E.E.’s mission for the next 30 years and beyond.

When beginning to iterate this logo, I started by drawing inspiration from the original main logo as well as the brand comms I had collected from my discussion with the T.R.E.E. director. I kept the earthy brown and green tones, and the font of the headline. I knew I wanted to use the rings of a tree as my graphic, since this logo was about age, and little tree cookies are a token souvenir from the T.R.E.E. experience that anyone who has participated has a special attachment to. I also knew I wanted my logo to be hand-drawn, to add an element of comfort, familiarity, and child-friendliness.

When iterating the T.R.E.E. logo, I played with a variety of different strokes, profile lines, and techniques to master the look of the tree rings themselves. Then I tried many different formats to incorporate the name of the organization and the 30th anniversary. This process of iteration helped push me to think outside of the box and use my technical skillset in new, unique ways.

After showing my first iterations to the T.R.E.E. team, they were immediately drawn to the bottom right logo. They left some constructive feedback below, which i made sure to incorporate in my final logo.
-Filled in 30 text is preferred
-Make sure it can’t be accidentally read as “3D”
-Prefer T.R.E.E. font underneath
-Adjust sizing/spacing
-Include “Celebrating 30 years of Outdoor Classrooms" as tagline
-"With Olivia's tree rings logo, it would be awesome to have a version that says "Teaching
Responsible Earth Education" arched over the top, and "Celebrating 30 years of Outdoor
Classrooms" arched under the bottom"

After incorporating their feedback, I created these final two logos. This project taught me the importance of pro-bono projects as a designer and how to create a new logo within existing design boundaries. I look forward to working with T.R.E.E. again in the future.
Question about my work?
Olivia Bruhmuller
Oliviabruhmuller@gmail.com